Thereās been a bit of a debate within The Root on how to cover Talib Kweliās inexhaustible obsession with Maya Moody.
For context, the 44-year-old rapper, who has over one million Twitter followers, grew upset when Moody tweeted the mildest of observations about the sort of women rappers tend to marry, and has tweeted at or about her hundreds of times (yes, hundreds) in the two weeks since.
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The screenshots below were taken when I began writing this at 11:50 am EST.
Again, this is just from this morning.
Anyway, the internal debateāand ādebateā is probably too energetic of a word; it was more of a conversationāhad two parts: First is whether Talib Kweli matters enough, in 2020, to expend energy writing about his behavior. Ultimately, thatās inconsequential, because the story is not about āTalib Kweli, rapperā as much as itās about a middle-aged man with a tremendous platform devoting this much energy to harassing a 24-year-old Black woman.
But then, once thatās settled, whatās the angle? A straight news piece, like what Bossip and other Black news sites have already done? Or is there a larger theme here?
Iāll admit that before reading up on this yesterday, I didnāt know much about this. Iām on Twitter, but Iām not very active there. I just donāt have the bandwidthāor interestāto write as much as I do and also tweet frequently. Talib Kweli is at the far end of this spectrum, and I suspect that his activity there is at least partially due to the fact that while many of his contemporaries have pivoted and found lucrative ways to extend their artistic careersāThe Roots are on Jimmy Fallon, Common is in John Wick, etcāhe is on Twitter and has a podcast. This is his brand now.
Of course, thereās nothing wrong with that. All artistic careers eventually slope downward, and his platform, voice, perspective, and energy still have value. Especially now, in 2020 America, with so much to amplify, to fight against, to mobilize for, to shout at. So why, with so many worthy targetsāso much oppression and inequality and hate thriving todayāis he giving this woman so much attention?
The most charitable answer here is that heās just trying to clear his name, and heās as passionate with that as he is with everything else. The least charitableāand, considering his Twitter history, most likelyāis that he believed this Black woman, whoās half his age (and has 50 times less followers), to be an easy target, and heās embarrassed that she had the audacity to challenge him. Whatās happening now is the extended pout of a bully who got punched back.
This is the behavior of an incelāthe sort of thing that only exists in public when thereās validation for itāand now Iām less curious about why heās doing this and more about why none of his aforementioned peers have pulled his coat. This is, I think, the angle here. Talib Kweli is six years from AARP. Heās colored bubbles. But why does he feel empowered to act this way? Where are the men in his life, who have his phone number and email address and could just hit him up like āBro, what the fuck are you doing?ā This doesnāt even have to be a public rebukeāalthough those work, too. Just a group text. We ask white people to regulate the racists among them, and cops to actually hold the ābad applesā accountable. So where are they?
Straight From
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