Hey there, Jayceon. Can I call you Jay? J.T., perhaps?
Let me start by saying that I love your music. Youāve been consistent for a decade now, your ear for beats is impeccable, your industry connections are amazing, and Iāve looked past your hackneyed conspiracy theories and the fact that you drop names on wax like Edward Snowden ate Sammy āThe Bullā Gravano to acknowledge that youāre a pretty competent emcee.
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Iām writing because Iāve hit peak-level ācāmon sonā with your image, reality and the dissonance therein ā specifically, your continued portrayal as a street-level Piru Blood. I let it ride for seven studio albums, but I think āFrom Adamā on your just-released The Documentary 2.5 pushed me over the edge.
To explain, let me direct you toward last yearās Jhene Aiko interview with The Breakfast Club. When Charlamagne Tha God pressed her about her past as a Crip/Crip associate from Slauson Avenue, she nervously refused to talk about it, acknowledging that the Feds could be listening. Here, you have a gorgeous woman with a voice like 1,000-thread count bespoke Egyptian cotton sheets who would only crack a hundred pounds while holding a Saint Bernard exercising what Iām sure is unnecessary caution, and youāre throwing All Red Eāerythang all over every album.
I get that a general lack of discretion is your modus operandi, and I appreciate your consistency and apparent disregard of your critics. But if youāre on wax talking about murders youāre familiar with (but wonāt tell anyone about, because omerta!), is anyone in Blood leadership really concerned about The Game being a bit loose with his tongue, or are you even on their radar?
Essentially, does this gangbanging shit really apply to you anymore?
Iāll preface the rest of this by admitting that Iām absolutely not about that life. Iām a cubicle-humping college boy whose dad worked to shield him from the social ills of 1990s inner-city Detroit, and who can be found strolling in his hood walking a scrawny terrier mix because his wife convinced his sorry high-yellow ass to commit to a third of a dog.
But Iāve met my share of current and former bangers, and not one of them were very interested in all the public rodomontade that has become essential to your image. As a former inner-city educator, I watched teenagers make (often futile) attempts at shaking up so authorities donāt see. You, on the other hand, might as well tattoo a red bandana over the Dodgers logo on your face.
You grew up in a banger enclave with bangers in your immediate family, and Iāll choose to believe Wikipedia when it says that you, too, were sucked into the life for a while. But my guess is that the wheels on the gangbang train started getting a bit wobbly around 1999, when you made the brilliant decision to don a Hawaiian shirt and hop on the dating show Change of Heart, where your girlfriend aired out your dirty laundry before shitcanning you in front of God and syndicated television audiences everywhere. The Internet forgets nothing, and while itās not an Officer Ricky Rozay-caliber pre-fame fail, listen to your boy Riley Freeman: So not gangsta, Jayceon.
But youāre getting the last laugh a decade and a half later, pulling in VH1 reality show dollars while wading the septic tank waters to āfind the right woman for you.ā I wonder what the Pirus on the block, losing their boys to violence and hustling to keep their mamasā lights on, think of you getting paid to chill in your fly estate in the hills, sipping Mai Tais while several beweaved, Wertherās Original-complected ladies vie for your attention.
I think a good, albeit unscientific, measuring stick of a rapperās Thug Effectiveness Coefficient (TECĀ©) is how scared White people are of them. On a fear scale of one to 10 ā where one is, like, Jay Z, and 10 is a unicorn (and J. Cole is a negative 46) ā you fall somewhere below a five, mainly because youāve been on VH1. And everyone knows White chicks love VH1. Instead of being on some Mara Salvatrucha, my-whole-face-is-tatted-so-Iām-committed-to-this-shit levels of gangbanging, youāre literally riding the same wave of bitchassery as Ray J. and the dude who faked Prince Harry.
To be clear, Iām not criticizing your lucrative, legal hustle. By all means, get that gwop. Iām just letting you know that no one was fooled by the heavily-orchestrated āthis is how I came upā visit to Compton on that episode of āSheās Got Game.ā And no one was in awe of your ārealnessā when you threatened to break the jaw of resident fuckboy Troi āDJ Starā Torain during your recent interview on The Breakfast Club.
Ā Ā I donāt think you spend any real time on the block with the Pirus anymore, and I wouldnāt either if I had your money. I doubt you consciously contribute your riches to any criminal enterprises with the expectation of a return on investment (and if they do, you deserve to be locked up for rank idiocy). As a grown-ass rap superstar in your mid-30s, your relationship with a gang is probably as tangential as a 45-year-old frat boy still wearing the letters on his frayed, faded jacket.
Your heroes ā Dre, Cube, Snoop ā either gave up the gangsta act years ago or openly acknowledge that itās all entertainment. Your predecessors of sorts ā Kendrick Lamar, Drake, J. Cole ā donāt rap about guns they donāt bust. Even Jay Zās camel-esque chin is too nestled inside the warm contours of Beyonceās well-squatted ass to bother writing new rhymes about slanginā dope.
But you still intend on being a walking anachronistic contradiction, and Iām just letting you know we donāt believe you and you need way more people. Keep picking those hot beats, though, and Iām willing to look the other way.
Straight From
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