With All Boys Arenât Blue, George Johnson is the latest at-bat in what is shaping up to be a burgeoning, yet bountiful genre, that of black queer men coming of age. Yet, unlike Darnell Mooreâs No Ashes in the Fire or Michael Arceneauxâs I Canât Date Jesus, or DeRay Mckessonâs On The Other Side of Freedom, Johnson is speaking directly to young adults.
âThe ultimate goal of this, in addition to making sure black queer kid literature is out there, is that I wanted to tell a different black story. A story of a black family that may not have always got it right, but they did the best they could with the knowledge that they had,â says Johnson via phone with The Root.
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Johnson, a black queer journalist and activist, also said he wanted to tell a story that was not totally steeped in trauma and tragedy, but one where his family and community smothered him in love and affirmation.
âI wanted to show myself and be this vessel of someone who was resilient because anytime you say anything thatâs about a black queer person, itâs like, Oh, he mustâve got beat up. Yeah, I had those experiences but I also had this amazing mother and this amazing grandmother who stepped in. And my father who was this black police officer from the South, but he still never made me feel like something was wrong with me. â
In writing All Boys Arenât Blue, slated to debut in March 2020 (the cover, seen above, debuts today, during Pride 2019, exclusively on TheRoot and Out.com), Johnson says he was forced to delve deeply into his emotions because young people want to know.
While turning in one chapter, in particularâthat of having sex for the first timeâJohnson said his editor pushed back and urged him to crack himself open. He, on the other hand, said he feared being âsalacious.â
âSometimes with adult memoirs, you have a little bit more control or license over where you want to go. But with young adults ⊠you need to go there; kids are harsher critics than adults, and kids actually understand politics. They want to know the whole story,â Johnson says. âIn particular, when I was writing about the first time having sex, I wrote it very technically, And my editor was like, This is boring! You gotta spice this up!â
Johnson said he had to go back to the mind (and ostensibly, the raging hormonal body) of his adolescence, and delve into the ways he was inquisitive about and thought about sex. He notes that this is not encouraging kids to go out and have lots of gay sex. âIf you read about it, would it make you go out and do it? No, but it would have been helpful to read about someonesâ experience so that ⊠others will know what itâs like to navigate that space.â
When I asked Johnson what elseâbesides seeing themselves representedâblack queer kids might need, he noted that visibility is only the beginning.
âI always say that visibility and representation is a starting point. What happens after you see us? What black queer kids need is they need support; they need policies that speak to them, policies that matter to them,â he says.
âWhat do black queer kids need? They need people around them to understand that even though they have an additional oppression, even though they identify differently, theyâre still connected to blackness. Something as simple as learning black history that includes LGBT people that are black. Who are also Civil Rights pioneers, like Marsha P. Johnson; Sylvia Rivera; Miss Major? And so, the biggest thing black queer kids need is way past visibility and representation; itâs actual structural changes so that theyâre being taught about themselves.
In essence, Johnson wants to provide a âblueprintâ for the kids themselves, for black families and communities to take the lead in affirming and uplifting our nonbinary, gay, queer, trans, and questioning children.
âThatâs what queer kids needânot only love and support at home but also at the barber shop, but also at the church. Any other place where they should have just as much access and right to be in as any other black kid.â
All Boys Arenât Blue is available for pre-order here.Â
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