Last week, Larry Wilmoreâhost of Comedy Centralâs new late-night gig The Nightly Showâbegan his monologue with this:Â âMan, all of the good bad-race stuff happened already. Seriously. Thereâs none left. Weâre done.â
But anyone whoâs been paying attention to the fast-changing news cycle these days knows that Wilmoreâs razor-sharp comedic timing couldnât have come at a better time.
Suggested Reading
For those who only know him as The Daily Showâs âsenior black correspondent,â Wilmore has been deep in the entertainment game for a while, having served as a writer for In Living Color and having helped create The Bernie Mac Show along with the Eddie Murphy-produced animated series The PJs. Wilmore was all set to serve as showrunner for ABCâs hit series Black-ish when he was named as Stephen Colbertâs replacement after Colbert decided to quit The Colbert Report to accept the job as David Lettermanâs replacement over at CBS.
Initially, the showâwhich is structured around Wilmoreâs opening monologue and then segues into a four-person panelâwas going to be called The Minority Report, but that idea had to be scrapped when Fox decided to develop a show based on the 2002 Tom Cruise movie of the same name. But even with the name change, Wilmore has made it clear where heâs coming from.
Hereâs three reasons his show is so relevant right now.
1. Heâs keeping it real.
Unlike his former boss Jon Stewart or his predecessor Stephen Colbert, both of whom trafficked in âfake newsâ-type shows, Wilmore comes at current events in the same manner that brothers at the barber shop or sisters at the hair salon do: straight up and no-holds-barred. In his show on the state of the black protest, Wilmore asked comedian Bill Burr, the only white person on the panel that night, âAre white people tired of black protests?â And he opened his show on Bill Cosby with this little gem: âWeâll answer the question, âDid he do it?â The answer will be, âYes.ââ
And even if Wilmoreâs takes on topics like Cosby arenât particularly new, as Slateâs Willa Paskin rightly points out, âThere has previously been no black perspective on late night to take these subjects on with such matter-of-fact vigor.â
His signature segment, âKeep It 100,â can lead to some squirm-in-their-chairs moments for panelists who have to answer a question honestly or face the prospect of getting some âweak teaââliterallyâas theyâre handed tea bags.
Rapper-activist Talib Kweli had such a moment when he was asked, âWhen it comes to black images, is hip-hop part of the problem or part of the solution?â
Mauricio Claver-Carone, executive director of Cuba Democracy Advocates, tried to do a little head fake before âkeeping it 100â when he was asked, âIf you could assassinate Fidel Castro yourselfâyou get him out of the way, boom! Democracyâwould you do it?â
2. Heâs bringing in fresh voices.
Varietyâs Brian Lowry wondered if The Nightly Showâs format and edgier take on the dayâs news would make the show a âno-go zoneâ for newsmakers and celebrities who wanted to pitch their movies or books. But who cares? The last thing late night needs is another show for celebs to pimp their products. Theyâll still have Fallon, Kimmel and Colbertâs new show for that. All Wilmore needs are smart, funny and engaging people willing to go beyond the usual sound bites you might hear on a Sunday-morning talk show.
In his first week he featured Kweli, writer Baratunde Thurston and Ebony senior editor Jamilah Lemieux (the last two, I might add, are past honorees of The Root 100). He threw in a couple of familiar faces, like Sen. Cory Booker (D-N.J.), New Yorker editor David Remnick and news anchor Soledad OâBrien.
3. Heâs cross-generational.
At 53, Wilmore is in that generational sweet spot where heâs old enough to speak to an older crowd but can still hang with the youngsters. For his show on the State of the Union, he quipped in the opener, âThere are so many middle-aged black women in Congress, I thought I was watching an Earth, Wind & Fire concert.â
Soon after, on that same episode, Wilmore flaunted his up-on-it bona fides when he cracked on Rep. Maxine Waters (D-Calif.) for her response to Obamaâs âI won both of themâ remark by saying, âCalm down, Maxine Waters, youâre not watching a World Star video.â
Thereâs room, of course, for the show to improve and evolve. Wilmore recently told the Washington Post that he hopes to mix up the format by sending correspondents out in the field.
All I know is, I canât wait to see what he does next.
Straight From
Sign up for our free daily newsletter.